Asmara Puspa

To some, heritage is a relic — folded, framed, brought out for ceremonies. But to us, culture was never meant to stay still. It’s meant to move, evolve, and be worn.

For Didiet Maulana, tradition is a form of love — romantic, filial, cultural, and deeply personal. He doesn’t preserve history by holding it still; he keeps it alive by living it. Through his work, cultural heritage finds its modern rhythm, dressed in fabric, stitched with sentiment, and carried forward through emotion. 

Clemence Ellery speaks a different language — one of metal and form. Where he drapes emotion in fabric, we sculpt it in gold. Where his heritage flows softly, ours holds its shape. Together, we found harmony in contrast: fabric and finery, tenderness and structure, memory and metal.

This collection is not a tribute. It’s a continuation — a dialogue between disciplines, a shared devotion to keep love and culture alive. Here, heritage isn’t preserved behind glass. It’s lived. Worn. Adapted. Reinterpreted by every generation that inherits it.